Sans Superellipse Gumik 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Bronkoh' by Brink, 'Neuron Angled' by Corradine Fonts, 'Aspire Narrow' and 'Mercurial' by Grype, and 'Quan Geometric' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modern, industrial, assertive, techy, friendly, impact, clarity, modernity, robustness, systematic, rounded corners, geometric, compact, blocky, high impact.
A heavy, geometric sans built from squared-off curves and rounded-rectangle (superellipse-like) bowls. Strokes are monolinear with crisp terminals and consistently rounded corners, giving counters a compact, engineered feel. Proportions read sturdy and slightly condensed in texture, with open apertures kept tight and symmetrical; circular letters like O/Q stay squarish rather than perfectly round. Numerals and capitals carry a uniform, modular rhythm, while lowercase forms keep the same geometric logic for a cohesive, sign-like color on the page.
Best suited for headlines, display typography, and short blocks of copy where a strong, compact texture is desirable. It works well for branding systems that need a modern, engineered personality, as well as signage and packaging where bold, rounded-rect geometry improves recognition at a glance.
The tone is contemporary and functional, with a confident, no-nonsense voice. Rounded corners soften the mass enough to feel approachable, but the overall impression remains industrial and tech-forward, suited to bold statements rather than delicate nuance.
The likely intent is a high-impact geometric sans that balances strict, modular structure with softened corners for approachability. Its squared curves and consistent stroke weight aim to deliver clear, contemporary letterforms that feel robust in both typographic specimens and real-world display use.
The design maintains a strong, even typographic color in text settings, with distinctive squared bowls and a straight-sided feel that helps headlines look structured. The punctuation shown (including the apostrophe) follows the same solid, minimal approach, staying unobtrusive next to the dense letterforms.