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Free for Commercial Use

Sans Contrasted Uhna 3 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Cosan' by Adtypo, 'Grenoble Serial' by SoftMaker, and 'TS Grenoble' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, magazines, posters, branding, packaging, editorial, dramatic, classic, authoritative, fashion, impact, luxury, authority, display, bracketed serifs, vertical stress, ball terminals, sharp apexes, sculpted curves.


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This typeface presents as a heavy, display-oriented serif with pronounced thick–thin modulation and largely vertical stress. Uppercase forms are tall and stately with crisp apexes (notably in A, V, W) and strong, straight stems balanced by broad, rounded bowls (B, D, O). Serifs appear bracketed and firm, with occasional wedge-like endings and teardrop/ball terminals visible on several lowercase letters. The lowercase shows compact, sturdy proportions and a relatively traditional two-storey structure where applicable, with a prominent ear on the g and a strong, dark rhythm across words. Numerals are weighty and sculpted, with the 8 and 9 showing pronounced contrast and rounded counters.

Best suited to large-size settings such as magazine headlines, poster titles, campaign lockups, and brand marks where its contrast and dark color can be appreciated. It can also work for short subheads or pull quotes, but its density suggests using generous size and spacing for comfortable reading.

The overall tone is confident and high-impact, leaning toward refined editorial drama rather than utilitarian neutrality. Its sharp joins, glossy contrast, and substantial weight convey a premium, assertive voice suited to headlines and statement typography.

The design appears intended to deliver a bold editorial presence: a serif with dramatic contrast and carefully shaped terminals that creates a luxurious, authoritative impression in display typography.

In text lines the dense color and tight internal counters create a commanding texture, and the strong contrast becomes most noticeable at larger sizes where the hairlines and bracketed serifs read clearly. The design’s letterforms feel intentionally sculpted, giving it a slightly formal, heritage-leaning character even while remaining clean and crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸