Sans Normal Jomiw 6 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'ATF Franklin Gothic' by ATF Collection, 'Dean Gothic' by Blaze Type, 'PG Gothique' by Paulo Goode, 'Franca' by René Bieder, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, ads, sporty, assertive, modern, energetic, punchy, high impact, convey motion, modern display, attention grabbing, oblique, blocky, rounded, compact, high-impact.
This typeface is a heavy, oblique sans with broad proportions and smooth, rounded curves. Strokes are thick and consistent, with gentle modulation at joins and terminals that keeps counters open despite the weight. The italic angle is strong and uniform, producing a forward-leaning rhythm, while overall shapes stay solid and geometric rather than calligraphic. Capitals are sturdy and wide, lowercase forms are full and compact, and the numerals match the same dense, high-visibility construction.
It performs best in display settings where impact and speed are desirable: headlines, posters, promotional graphics, sports or fitness branding, and bold packaging callouts. In dense paragraphs it will feel forceful, but it can work effectively for short bursts of text, pull quotes, and hero statements where strong presence is the goal.
The overall tone is bold and driven, with a fast, athletic slant that reads as confident and contemporary. Its weight and width give it an unapologetic, attention-grabbing voice suited to energetic messaging rather than subtlety.
The design appears intended to deliver maximum visual punch with a clean, geometric sans foundation, combining a heavy build with a pronounced slant to suggest motion and urgency. It prioritizes bold readability and modern, commercial energy over delicacy or typographic restraint.
Round letters like O/C/G show generous interior space for the weight, and the slanted construction remains consistent across letters and numerals, helping maintain an even texture in longer lines. The heavy strokes and oblique posture make word shapes strongly directional, with emphasis naturally landing on key terms.