Sans Superellipse Jimur 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Albeit Grotesk Caps' by Cloud9 Type Dept, 'Panton Rust' by Fontfabric, 'Bike Tag JNL' and 'Celluloid JNL' by Jeff Levine, 'Revx Neue' by OneSevenPointFive, and 'Dark Sport' by Sentavio (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, confident, playful, modern, robust, impact, approachability, modernity, rounded, blocky, soft corners, geometric, compact.
A heavy, rounded sans with a squarish, superellipse construction and consistently softened corners. Strokes are thick and even, with minimal modulation and compact counters that stay open enough for display use. Curves and terminals resolve into rounded-rectangle shapes, giving letters a sturdy, engineered feel; diagonals (V, W, X, Y) remain blunt and stable rather than sharp. Lowercase forms are simple and stout with short extenders, and the numerals share the same rounded, rectangular logic for a cohesive texture.
Best suited to headlines and short-to-medium display text where its bold, rounded shapes can deliver strong impact. It fits branding and packaging that want a friendly but solid presence, and it reads well in large UI labels, signage, and promotional graphics where quick recognition matters.
The overall tone is warm and approachable while still feeling assertive and energetic. Its chunky silhouettes and softened geometry suggest a contemporary, playful voice suited to bold messaging rather than subtlety.
The design appears intended to merge geometric, rounded-rectangle construction with a highly legible, high-impact display rhythm. It prioritizes strong silhouettes and a cohesive superellipse system to create a distinctive, modern personality for attention-grabbing typography.
Spacing appears intentionally generous for a heavy design, helping the dense letterforms avoid clogging in longer lines. The dotted i/j use compact square-like dots, reinforcing the font’s rectilinear rounding theme.