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Free for Commercial Use

Sans Superellipse Jimiy 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Hanley Pro' by District 62 Studio, 'Panton' by Fontfabric, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, chunky, retro, playful, confident, approachability, impact, modern retro, simplicity, geometric consistency, rounded, soft corners, compact, sturdy, high impact.


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A heavy, rounded sans with soft, squared-off curves that read like superellipse geometry. Strokes are uniformly thick with minimal contrast, and terminals are blunt and generously rounded, producing a compact, sturdy silhouette. Counters are relatively tight and openings are small in letters like C, e, and s, while bowls and rounds (O, 0, 8) lean toward rounded-rectangle forms rather than perfect circles. The lowercase is built on simple, single-storey structures with short extenders and a pragmatic, blocky rhythm, keeping word shapes dense and highly graphic.

Best suited for headlines and short to medium-length copy where impact and friendliness are key, such as posters, brand wordmarks, packaging, and signage. It can also work for UI labels or badges at larger sizes, where its compact shapes and rounded terminals remain clear and distinctive.

The overall tone is friendly and approachable but assertive, combining soft corners with a strong, poster-like presence. Its rounded-square forms and tight spacing cues a retro, utilitarian warmth—playful without becoming whimsical. The font feels confident and straightforward, suited to bold statements that still want an inviting voice.

The design appears intended to deliver a strong, contemporary display voice built from rounded-square forms—prioritizing solidity, consistency, and approachability. It aims to create an unmistakably bold texture with simple, readable shapes and a cohesive, geometric rhythm that holds up in attention-grabbing applications.

In text settings the heavy weight and compact internal space create a dark color, emphasizing mass over delicacy. Diacritics are not shown; punctuation visible in the sample matches the same rounded, blunt construction, maintaining a consistent, cohesive texture across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸