Print Namas 2 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: children’s, packaging, posters, craft branding, social graphics, friendly, playful, casual, approachable, hand-drawn, handwritten warmth, casual clarity, everyday notes, humanized branding, rounded, bouncy, monoline, soft terminals, quirky.
A casual hand-drawn print with mostly monoline strokes, rounded joins, and softly blunted terminals. Letterforms are slightly irregular in width and rhythm, with a gentle wobble that keeps the texture lively while staying highly legible. Curves are open and generous (notably in C, O, and S), and straight strokes are subtly tapered by hand pressure rather than sharp modulation. The lowercase is simple and readable, with single-storey a and g, a lightly hooked f, and a narrow, loopless j; figures are similarly informal with round bowls and slightly uneven proportions.
This font works well for short to medium-length copy where a friendly, hand-lettered voice is desired—kids and education materials, casual packaging, café or craft branding, posters, invitations, and social media graphics. It can also serve as a personable UI or app accent font for labels and headings where a human touch matters more than strict typographic neutrality.
The overall tone feels warm, human, and lightly whimsical—more like neat marker or felt-tip handwriting than a strict text face. Its imperfect geometry communicates friendliness and informality, making it suitable for designs that want to feel personal and unpretentious.
The design appears intended to mimic tidy, everyday handwriting with consistent stroke weight and simple, open forms, balancing charm with clear readability. Its restrained irregularities suggest an aim for a dependable informal print that feels handcrafted without becoming decorative or difficult to set.
Capitals are clean and open with straightforward construction, while a few characters introduce personality through small asymmetries and stroke quirks (such as the angled crossbar on A and the soft, hand-set diagonals in K and R). Spacing appears naturally uneven in a way that reinforces the handmade feel without turning into messiness.