Sans Normal Ehdid 2 is a very light, normal width, low contrast, italic, normal x-height font.
Keywords: editorial, branding, packaging, invitations, display, airy, modern, gentle, refined, elegance, modernity, lightness, readability, minimalism, monoline, rounded, open apertures, soft terminals, humanist.
This typeface is a very slender, monoline italic with smooth, rounded construction and a calm, even rhythm. Curves are drawn as clean ellipses and circles, while straight strokes keep a consistent thinness, creating a light, airy texture on the page. Terminals are softly finished rather than sharply cut, and many forms show open, generous apertures (notably in letters like c, e, and s), which helps maintain clarity despite the delicate stroke weight. The overall proportions feel balanced and contemporary, with slightly calligraphic movement from the italic slant and gently modulated joins.
It suits editorial headlines, fashion or lifestyle branding, and packaging where a light, elegant voice is desired. It can also work well for invitations, short quotes, and display-sized typographic compositions where the thin italic strokes can remain crisp and legible. For longer passages, it is best used at comfortable sizes and with ample spacing to preserve its airy readability.
The font conveys a quiet sophistication—polished and modern without feeling cold. Its italic stance and fine strokes give it an elegant, fashion/editorial tone, while the rounded forms keep it approachable and friendly. The overall impression is understated, neat, and lightly expressive.
The design appears intended to provide a modern, minimalist italic sans with softened geometry—combining clean, rounded forms with a gentle, humanist slant. The goal seems to be a refined tone that feels contemporary and stylish while staying restrained and easy to pair with other, more neutral text faces.
In the samples, the thin strokes and open shapes produce a spacious color and a graceful line flow in longer phrases. The numerals appear consistent with the letterforms, favoring simple, rounded silhouettes and a restrained presence that matches the typeface’s minimal, refined character.