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Slab Square Sumaj 4 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'FF Kievit Slab' by FontFont, 'Rooney' by Jan Fromm, and 'Modum' by The Northern Block (names referenced only for comparison).

Keywords: editorial design, book typography, magazine text, pull quotes, brand voice, editorial, classic, scholarly, warm, confident, text emphasis, editorial utility, classic italic, sturdy presence, bracketing, blocky serifs, oblique stress, open counters, calligraphic.


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This italic slab serif shows sturdy, block-like serifs with mostly flat ends and subtle bracketing that helps joins feel reinforced rather than sharp. Strokes stay fairly even, with only mild modulation, creating a steady rhythm and strong word shapes. The italic angle is pronounced and consistent across caps, lowercase, and figures, with slightly wedge-like joins and compact, upright-ish internal spaces that keep counters readable. Capitals feel broad and anchored, while the lowercase has a lively, forward-leaning texture; figures are straightforward and robust, matching the serifed construction.

Well-suited for editorial typography where an italic needs to carry emphasis without becoming fragile—such as magazines, book interiors, and long-form reading. It also works effectively for pull quotes, subheads, and brand applications that want a classic, authoritative italic with substantial presence.

The overall tone reads editorial and bookish, with a traditional, slightly old-style italic flavor that feels purposeful rather than decorative. Its sturdy slab structure adds confidence and practicality, while the slant contributes energy and emphasis, making the voice feel assertive, literate, and gently vintage.

The design appears intended to deliver a dependable italic companion with slab-serif solidity, balancing traditional italic motion with practical, even-weight construction. The goal seems to be clear emphasis and strong typographic color while maintaining a familiar, literary character.

Serifs and terminals create a strong baseline and clear horizontal cues, helping the italic remain legible even at larger text sizes. The glyph set shown maintains a cohesive, workmanlike texture, with consistent italic movement and minimal contrast that supports uniform color across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸