Sans Other Janij 2 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: sci‑fi titles, tech branding, posters, headlines, ui display, tech, futuristic, modular, industrial, minimal, futurism, tech styling, modular design, distinct silhouettes, squared, geometric, angular, stencil-like, streamlined.
A geometric, squared sans with monoline strokes and strongly rectilinear construction. Curves are treated as rounded-rectangle arcs, producing boxy counters in letters like O and D and a consistently engineered feel across the set. Terminals are mostly flat and horizontal/vertical, with occasional diagonal joins in V, W, X, and K that stay crisp and mechanical. Several forms lean on cut-ins and open apertures (notably C, S, and G), and some glyphs use distinctive internal bars or notches (such as Q and 8), reinforcing a modular, constructed rhythm.
Best suited to display contexts such as sci‑fi or tech-forward titles, branding for digital products, event posters, and bold headlines where the angular geometry can carry personality. It can also work for large UI labels, dashboards, or on-device screens when a futuristic, constructed look is desired.
The overall tone is futuristic and technical, evoking interface typography, sci‑fi titling, and industrial labeling. Its squared curves and clipped openings read as precise and synthetic rather than humanist or calligraphic, giving it a cool, engineered presence.
This design appears intended to translate a modular, machine-made aesthetic into an approachable sans, using squared curves and strategic cut-ins to keep shapes recognizable while still feeling distinctly futuristic.
The alphabet shows deliberate, atypical decisions—like a sharply constructed S, a squared G with an inset spur, and numerals that emphasize segmented geometry—creating a cohesive display voice. Spacing and proportions appear tuned for clear silhouette recognition at larger sizes, where the distinctive cut-ins and boxy counters become part of the identity.