Sans Other Ipfi 3 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, posters, logos, sports branding, game ui, futuristic, techno, industrial, modular, assertive, tech branding, display impact, graphic texture, modular system, rounded corners, stencil cuts, inset notches, geometric, compact spacing.
A geometric sans with heavy, uniform strokes and generously rounded outer corners. Many letters include consistent horizontal cut-ins or inset notches that create a pseudo-stencil/segmented look, often reading as a narrow band slicing through the counters or joins. Forms skew rectangular and modular, with squared bowls, flattened curves, and simplified terminals; diagonals in A, V, W, X, and Y are sharp and clean. The lowercase follows the same engineered construction with single-storey a and g, and numerals are similarly squared with rounded corners, maintaining a tight, high-impact silhouette.
Works best for short, high-visibility typography such as posters, event titles, product marks, esports or sports identities, and tech-themed packaging. It can also suit UI labels or display signage where the segmented styling becomes a recognizable graphic signature, especially at medium to large sizes.
The repeated internal breaks and rounded-rect geometry give the face a sci‑fi, machine-made tone that feels engineered and contemporary. It suggests technology, robotics, gaming, and synthetic interfaces—confident and slightly aggressive, with a purposeful “cut” motif that adds motion and grit.
The design appears intended to merge a clean geometric sans skeleton with a distinctive, repeatable cutline detail that reads like a stencil or machined joint. The goal is likely a strong display face that feels contemporary and technical while remaining systematic and consistent across caps, lowercase, and figures.
In text settings the horizontal cut-ins become a prominent pattern, producing a strong visual rhythm and a distinctly branded texture. The wide proportions and closed, rectangular counters can make long passages feel dense, while headlines benefit from the font’s cohesive modular system.