Sans Superellipse Ehnum 2 is a light, narrow, low contrast, italic, normal x-height font visually similar to 'FF Good' and 'FF Good Headline' by FontFont (names referenced only for comparison).
Keywords: ui labels, captions, posters, packaging, tech branding, clean, modern, efficient, technical, editorial, compact efficiency, modern utility, forward motion, clean readability, oblique, condensed, monoline, rounded, upright stress.
This typeface is a slim, oblique sans with a monoline feel and gently rounded terminals. Curves are built from smooth, squarish rounds, giving bowls and counters a tidy, superelliptical geometry rather than purely circular forms. Capitals are tall and compact with restrained curvature, while lowercase shows straightforward constructions with open apertures and minimal embellishment. Numerals follow the same narrow rhythm, with simple, even stroke behavior and clean joins that keep texture consistent in lines of text.
It suits compact applications where space is at a premium, such as UI labels, dashboards, navigation, and small headlines. The consistent, clean texture also works well for editorial subheads, infographics, and modern brand systems that want a streamlined, contemporary voice. In display sizes, the oblique stance can add forward energy for posters, packaging callouts, and tech-leaning marketing.
The overall tone is modern and efficient, with a slightly technical, engineered flavor from the squared-off roundness and disciplined spacing. Its slant adds motion and a subtle sense of speed without becoming expressive or calligraphic. The result feels pragmatic and contemporary—more about clarity and rhythm than personality-driven flourish.
The design appears intended to deliver a fast, modern oblique voice with disciplined proportions and smooth, squared-round geometry. By keeping stroke modulation minimal and shapes consistent, it prioritizes even color and straightforward readability while still offering a distinctive, engineered curve language.
Round letters like O/Q and the bowls in B/P/R read as softly squared, which helps the font maintain a crisp footprint in tight settings. Diagonals in letters such as K, V, W, X, and Y are sharp and controlled, reinforcing a precise, structured texture across mixed-case text.