Sans Superellipse Egmy 4 is a regular weight, very narrow, low contrast, italic, normal x-height font visually similar to 'FF Good' and 'FF Good Headline' by FontFont (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, ui labels, sleek, efficient, contemporary, energetic, technical, space saving, modernization, speed cue, clean utility, interface readiness, condensed, oblique, monoline, rounded, compact.
A condensed, oblique sans with monoline strokes and softly rounded terminals that keep the texture smooth and continuous. Curves read as rounded-rectangular (superelliptic) rather than purely geometric circles, giving counters a squarish softness and a tidy, engineered feel. The set maintains a consistent forward slant and compact spacing, producing a tight rhythm suited to narrow columns; uppercase forms are tall and economical, while lowercase shows similarly compressed proportions with compact bowls and short joins.
Best suited to headlines, subheads, captions, and UI labels where horizontal economy matters. It can work well for editorial pull quotes, packaging copy, and branded taglines that benefit from a fast, modern slant and a clean, compact typographic footprint.
The overall tone is brisk and contemporary, with a utilitarian confidence that feels at home in modern interfaces and streamlined branding. Its narrow, slanted stance adds motion and urgency without becoming overly expressive, suggesting speed, efficiency, and a slightly technical polish.
The design appears intended to deliver maximum content density with a smooth, modern voice—combining a condensed, forward-leaning structure with softened geometry for readability and polish. It aims for a contemporary sans that feels efficient and streamlined while remaining visually friendly through rounded forms.
The numeral set follows the same condensed, oblique logic and stays visually cohesive with the letters, supporting dense information display. The sample text shows a uniform color and steady cadence across long lines, with rounded corners preventing the condensed forms from feeling brittle.