Font Hero

Free for Commercial Use

Hollow Other Keri 3 is a regular weight, narrow, low contrast, italic, normal x-height font.

Keywords: logotypes, headlines, packaging, posters, signage, retro, playful, crafty, lively, whimsical, signage feel, decorative flair, vintage appeal, headline impact, inline, outlined, decorative, bouncy, brushed.


Free for commercial use
Customize the font name

A slanted, script-leaning display face built from rounded, continuous strokes with a prominent inline treatment: a dark outer contour paired with inner parallel lines that create a hollowed, double-line look. Terminals are soft and slightly flared, and many letters show looped forms and gentle entry/exit strokes that mimic sign-painting or brush lettering. Proportions are compact and slightly condensed, with lively curves, generous counters, and a steady baseline rhythm; capitals are expressive but not overly ornate, while lowercase maintains a readable, connected-script feel even when set with some separation. Numerals follow the same inline/outline construction with simple, open shapes and consistent stroke behavior.

Well-suited to display settings where the inline outline can be appreciated: brand marks, headline typography, posters, menus, labels, and retro-inspired packaging. It can also work for short bursts of emphasis in social graphics or event materials, especially when a lively, handcrafted feel is desired.

The overall tone feels vintage and upbeat—like hand-lettered storefront signage or mid-century packaging—combining friendliness with a touch of showmanship. The inline hollow effect adds sparkle and motion, giving text a buoyant, spirited character rather than a formal or editorial one.

The design appears intended to evoke classic sign lettering with an attention-grabbing inline embellishment, balancing legibility with decorative flair. Its consistent double-line construction suggests it’s meant to deliver instant personality in titles and branding rather than long-form text.

The inner linework acts as built-in decoration, so the face reads best when given enough size and contrast to keep the inline details crisp. Curved joins and looped forms are a defining motif throughout, producing a cohesive, hand-drawn impression across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸