Sans Other Rodi 14 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: display, headlines, logotypes, posters, game ui, tech, futuristic, arcade, industrial, digital, sci‑fi tone, digital signage, geometric construction, retro tech, octagonal, geometric, angular, square-cornered, modular.
This typeface is built from straight, monoline strokes with sharp, squared terminals and frequent chamfered corners, giving many curves a faceted, octagonal feel. Counters tend to be rectangular and open, and joints favor crisp right angles over smooth transitions. Proportions vary noticeably by letter, with some wide, boxy forms and others condensed, contributing to a slightly modular, constructed rhythm. Numerals and capitals share the same hard-edged geometry, and the overall color on the page is clean and even despite the intentionally mechanical shaping.
Best suited to display typography such as headlines, posters, packaging callouts, and logotypes where the angular construction can be appreciated. It also fits UI labels and titles in games or tech-forward interfaces, especially where a retro-digital or industrial mood is desired. For extended body text, it’s likely to work better at larger sizes with generous spacing.
The letterforms project a technical, futuristic tone with strong arcade and sci‑fi signage associations. Its angular construction feels engineered and synthetic, reading as confident and utilitarian rather than warm or literary. The distinctive faceting adds a retro-digital flavor that can skew both industrial and playful depending on context.
The design appears intended to reinterpret a sans structure through a modular, faceted geometry that prioritizes sharp corners and engineered simplicity. It aims for a distinctive, techno-leaning voice while maintaining consistent stroke weight and clear, stencil-like construction cues.
Several glyphs emphasize identity through cut-ins, clipped corners, and occasional asymmetrical details, which makes the face more expressive than a neutral grotesque. The squared apertures and simplified curves keep forms crisp at display sizes, while the busier geometry can become visually dense in long passages.