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Free for Commercial Use

Sans Normal Tymut 6 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'PC Gothic' by BA Graphics, 'EF Radiant' by Elsner+Flake, 'Radiant' by URW Type Foundry, 'Blacker Sans Pro' by Zetafonts, and 'Mumford' by fragTYPE (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, sturdy, confident, friendly, playful, retro, impact, approachability, clarity, simplicity, rounded, soft corners, compact counters, high impact, poster-ready.


Free for commercial use
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This typeface uses heavy, rounded shapes with smooth, mostly monoline strokes and softened terminals that keep the color dense and even. Counters are compact and often slightly squared by the weight, while curves (notably in C, G, O, S, and 8) stay broadly circular and stable. Uppercase forms are wide and blocky with simple construction; lowercase forms are similarly robust, with single-storey a and g, short apertures, and minimal differentiation between stroke joins and curves. Numerals are bold and simplified, with sturdy bowls and a strong horizontal emphasis in forms like 2, 3, and 5.

Best suited to headlines, posters, packaging, and branding where strong presence and quick recognition are priorities. It can also work for short UI labels or signage when set with generous size and spacing, but extended text will benefit from extra tracking and ample line spacing due to the dense counters.

The overall tone is bold and approachable, projecting confidence without feeling sharp or aggressive. Its rounded geometry and dense silhouettes give it a friendly, slightly retro attitude that reads as energetic and attention-seeking in display settings.

The design appears intended to deliver maximum impact with friendly, rounded forms—an all-purpose display sans that stays simple, stable, and highly legible at large sizes while maintaining a cohesive, chunky rhythm across letters and numerals.

At larger sizes the letterforms feel cohesive and punchy, while at smaller sizes the tight counters and small apertures may reduce clarity in characters like a/e/s and in enclosed numerals. The design favors simple, iconic shapes over fine internal detail, producing a consistent, poster-like texture in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸