Sans Normal Tymuz 5 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'PC Gothic' by BA Graphics, 'Proza' by Bureau Roffa, 'FS Blake' by Fontsmith, 'Charpentier Sans Pro' by Ingo, 'Hisham' and 'Optima' by Linotype, 'MarkusLow' by The Northern Block, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, logos and wordmarks, playful, friendly, retro, punchy, whimsical, attention grabbing, retro flavor, friendly display, quirky character, soft corners, flared terminals, bouncy baseline, bulky forms, compact counters.
A heavy, display-oriented sans with softened corners, bulging curves, and subtly flared, wedge-like terminals that create a lively, hand-cut feel. Strokes are thick with noticeable contrast and frequent swelling in verticals, while bowls and counters stay relatively compact, emphasizing a dense, impactful silhouette. The shapes show a gentle, irregular rhythm—curves and joins feel slightly asymmetrical and “bouncy,” giving the text a distinctive wobble without leaning or slanting.
Best suited to headlines and short-to-medium display copy where its dense weight and bouncy rhythm can provide instant personality. It works well for branding, packaging, event posters, and playful editorial callouts, and can hold up in large-size signage where strong silhouettes matter.
The overall tone is cheerful and characterful, mixing mid-century poster energy with a quirky, handmade warmth. It reads as bold and inviting rather than formal, with a humorous, cartoon-adjacent personality that keeps even dense lines of text feeling animated.
The design appears intended to deliver maximum impact with a friendly, retro-leaning voice—combining bold massing with softened geometry and flared terminals to create a distinctive, memorable texture in words and titles.
Uppercase forms are broad and blocky with rounded corners, while lowercase introduces more idiosyncratic details (notably in letters like a, g, and r), reinforcing a casual, display-first voice. Numerals are stout and attention-grabbing, matching the letterforms’ inflated curves and sturdy stance.