Sans Superellipse Ugroh 2 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Gravitica Compressed' by Ckhans Fonts, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'Grillmaster' by FontMesa, 'PODIUM Sharp' by Machalski, and 'Cargi' by Studio Principle Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, labels, sporty, urgent, punchy, retro, assertive, space saving, headline impact, dynamic motion, graphic solidity, condensed, slanted, rounded, blocky, compact.
A compact, heavily slanted sans with dense, blocklike silhouettes and rounded-rectangle construction. Strokes maintain an even, low-modulation weight, producing a steady texture that reads as a single dark band in text. Counters are relatively tight and simplified, with rounded corners and squared-off terminals that keep forms sturdy and graphic. The overall spacing and proportions favor short, compressed letterforms with an energetic forward lean and a consistent, superelliptical rhythm across rounds and straights.
This font is well suited to headlines, posters, and bold promotional messaging where a dense, slanted texture helps create motion and emphasis. It can work effectively for sports branding, event graphics, packaging, and labels that benefit from compact width and high visual impact. Short bursts of text, badges, and subheads are likely to read strongest, especially at medium-to-large sizes.
The tone is loud, fast, and impact-driven, with a distinctly sporty and slightly retro headline attitude. Its forward slant and dense weight convey urgency and motion, while the rounded geometry keeps the voice friendly rather than harsh. The result feels designed for attention and momentum more than quiet neutrality.
The design appears intended as an attention-grabbing, space-efficient display sans that delivers maximum impact in limited horizontal room. Its rounded-rectangle construction and uniform weight suggest a focus on strong silhouettes and consistent rhythm, optimized for energetic branding and promotional typography.
Uppercase shapes lean toward simple, poster-like geometry with minimal interior detailing, while lowercase forms keep a similarly compact footprint and sturdy joins. Numerals appear built to match the same condensed, rounded-rectangle logic, supporting cohesive display use. In long lines, the strong slant and heavy color dominate the page, making it best treated as a headline or callout style rather than a text face.