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Free for Commercial Use

Sans Superellipse Fenof 8 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to '403 Neudron' by 403TF, 'Monopol' by Suitcase Type Foundry, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: sports branding, posters, headlines, apparel, advertising, sporty, urgent, aggressive, modern, condensed, space saving, high impact, sense of motion, display focus, branding, slanted, compact, tall, rounded, punchy.


Free for commercial use
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A compact, slanted sans with tall proportions and dense spacing, built from simple geometric strokes and rounded-rectangle curves. Terminals are blunt and clean, with minimal modulation and a strong, even color across lines. Counters are tight and vertically oriented, and the narrow internal apertures keep letters like a, e, s, and g compact and sturdy. Numerals and capitals follow the same streamlined construction, yielding a consistent, high-impact rhythm in all-caps and mixed-case settings.

Best suited to big, high-contrast applications where compact width is an advantage: sports identities, event posters, advertising lockups, and apparel graphics. It also works well for short UI labels or packaging callouts when space is tight and a forceful voice is desired.

The overall tone is fast, assertive, and performance-oriented, with a poster-like intensity. Its forward slant and compressed width suggest motion and urgency, while the rounded geometry softens the harshness just enough to keep it contemporary rather than industrial.

The design appears intended to deliver maximum impact per horizontal space, combining a forward-leaning stance with sturdy, simplified shapes for bold display typography. Its geometry prioritizes speed, cohesion, and a strong block of typographic color for branding and headline use.

In text, the narrow counters and heavy mass create a strong headline texture and can reduce clarity at small sizes, especially where similar silhouettes cluster (for example, c/e, i/l, and n/m). The italic angle is pronounced and consistent, which reinforces directional flow but also increases the sense of compression in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸