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Free for Commercial Use

Sans Normal Ogpo 12 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Avenir Next Paneuropean' by Linotype, 'Tellumo' by Monotype, 'URW Form' and 'URW Grotesk' by URW Type Foundry, and 'JP MultiColour' by jpFonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, approachable, modern, high impact, friendly branding, approachable display, readable bold, rounded, soft, bulky, compact, smooth.


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A heavy, rounded sans with smooth curves and generously filled counters that keep forms open despite the weight. Strokes are broadly uniform, with softened joins and subtly tapered terminals that give letters a slightly sculpted, organic feel rather than a purely geometric cut. Proportions are compact and sturdy, with wide, circular bowls (notably in O, Q, o, and e) and simple, stable verticals; diagonals in A, V, W, and X are thick and crisp without sharp brittleness. Lowercase shapes stay straightforward and legible, using single-storey a and g and a short-armed r, contributing to a clean, contemporary rhythm.

This style performs best in headlines, posters, signage, and brand marks where a bold, friendly voice is needed. It also suits packaging and social graphics, and can work for short UI labels or callouts where strong contrast against the background and quick recognition matter.

The overall tone is warm and outgoing, projecting friendliness and confidence through rounded shapes and dense color. Its weight and softened details add a playful, approachable character that feels contemporary and slightly informal while still remaining clear and robust.

The design appears intended to deliver maximum impact with a welcoming personality: a rounded, high-ink silhouette for strong presence, paired with simple, familiar letterforms to maintain readability. Its softened geometry suggests an aim toward modern, consumer-facing communication rather than austere or technical typography.

The numerals are bold and compact, with rounded curves and consistent stroke strength that visually match the letters. At text sizes the font produces a strong, even typographic color, making it most effective where a solid, attention-holding presence is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸