Sans Superellipse Ukloh 9 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Resiliency3' by Alphabet Agency, 'Morgan Poster' by Feliciano, 'First Prize' by Letterhead Studio-VG, and 'Exabyte' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, signage, logos, packaging, industrial, retro, tech, authoritative, sturdy, compact impact, display clarity, industrial tone, tech flavor, branding voice, condensed, blocky, rounded corners, rectilinear, compact.
A compact, heavy sans built from squared, rounded-rectangle forms. Strokes are uniformly thick with minimal modulation, and counters are small, often appearing as tight vertical or rectangular openings. Curves are expressed as softened corners rather than full circles, giving bowls and shoulders a superelliptical, machined feel. Terminals are mostly flat and blunt, with occasional rounded inner corners that keep the texture from feeling sharp. Overall spacing and proportions create a dense, high-impact rhythm suited to short lines and stacked settings.
Best suited for display typography such as headlines, posters, labels, and wayfinding where strong silhouette and dense texture are desirable. It can work well in logos and branding systems that want an industrial or tech-forward voice, and in packaging where compact width helps fit more characters per line. For longer text or small UI copy, the tight counters suggest using generous size and spacing.
The tone is bold and utilitarian, combining a retro signage flavor with a contemporary tech edge. Its squared geometry and tight apertures read as engineered and disciplined, conveying strength and control. The rounded corners add approachability without losing the industrial presence.
The design appears intended to deliver maximum impact in a compact footprint by pairing heavy, uniform strokes with rounded-rectangular geometry. It emphasizes a consistent, stamped look that stays cohesive across uppercase, lowercase, and numerals, prioritizing bold presence and a controlled, engineered aesthetic.
Distinctive features include tall, compressed shapes, narrow interior counters, and letterforms that favor verticality. The numerals follow the same squared, heavy construction, maintaining consistent color in mixed alphanumeric settings. At smaller sizes the tight apertures may reduce clarity, while at display sizes the geometric character becomes a strong stylistic asset.