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Sans Superellipse Subi 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Handmade Gothic JNL' by Jeff Levine, 'Brougham' by Jonahfonts, 'Goodland' by Swell Type, and 'Sharpix' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, techno, compact, assertive, retro, space saving, high impact, geometric consistency, display voice, condensed, blocky, squared, rounded corners, ink-trap hints.


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A compact, tightly packed sans with heavy, uniform strokes and a condensed footprint. Curves resolve into rounded-rectangle (superellipse-like) forms, producing squared counters and softened corners rather than true circles. Many joins show subtle cut-ins and wedge-like terminals that act like simplified ink-trap shapes, giving the letters a notched, engineered finish. Proportions emphasize height with a large x-height, short extenders, and a steady, vertical rhythm that stays consistent from uppercase through numerals.

Best suited for posters, headlines, and branding where dense, high-impact type is needed. It can work well on packaging and signage, particularly when space is limited and a bold, engineered look is desired. In longer passages, it reads as a strong display voice rather than a quiet text companion.

The overall tone feels industrial and techno, with a sturdy, no-nonsense presence. Its squared geometry and clipped details evoke retro display lettering—confident, slightly mechanical, and optimized for impact in tight spaces.

The design appears intended to deliver maximum visual punch in a condensed width while maintaining a consistent geometric system. The rounded-rectangle construction and notched terminals suggest a deliberate balance of softness and mechanical precision for contemporary display use with a retro-industrial edge.

The condensed structure and narrow internal counters create strong texture in blocks of text, especially at larger sizes. Numerals and key capitals lean on the same rounded-rectangle logic, keeping the set cohesive while the angular cut-ins add distinctive personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸