Sans Superellipse Pygoh 2 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Metsys' by Alias Collection, 'CA Zentrum' by Cape Arcona Type Foundry, 'Convection' by Microsoft Corporation, and 'PTL Notes' by Primetype (names referenced only for comparison).
Keywords: ui text, app design, signage, wayfinding, dashboards, clean, technical, modern, neutral, utilitarian, clarity, systematic design, space efficiency, approachability, compact, rounded corners, open apertures, high legibility, crisp terminals.
A compact sans with a disciplined, monoline stroke and rounded-rectangle (superellipse) shaping throughout. Curves read as squared-off rounds rather than true circles, giving bowls and counters a softly rectangular geometry. Corners are consistently eased, terminals are clean and mostly flat, and the overall rhythm is even with generous interior space for the width. Uppercase forms are straightforward and sturdy; lowercase shows simplified constructions with tidy joins and minimal modulation, producing a clear, systematic texture in text.
Well-suited to interface typography, product labeling, and information-heavy layouts where compact width and consistent stroke weight help maintain clarity. It should also work effectively for short headlines, navigation, and signage where clean forms and distinct characters support quick scanning.
The font conveys a calm, engineered tone—clean and contemporary without feeling flashy. Its rounded-square geometry adds a subtle friendliness while staying firmly functional and no-nonsense, suggesting UI and product design contexts.
The design appears intended to provide a practical, modern sans with a distinctive superelliptical skeleton—balancing crisp, engineered structure with softened corners for a more approachable feel. Consistent geometry and restrained detailing suggest a focus on reliable readability across sizes and dense layouts.
Figures are simple and easily separable, matching the font’s compact proportions and consistent stroke logic. The overall spacing and shapes prioritize clarity and uniformity, with rounded corners doing most of the stylistic work rather than contrast or calligraphic detail.