Sans Superellipse Imlip 5 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Muller Next' by Fontfabric, 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry, 'Otoiwo Grotesk' by Pepper Type, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: sports branding, headlines, posters, gaming ui, product logos, futuristic, sporty, tech, aggressive, industrial, high impact, speed emphasis, modern tech, streamlined geometry, display focus, extended, oblique, rounded, superelliptic, blocky.
A heavy, extended oblique sans with rounded-rectangle (superelliptic) construction throughout. Forms are built from broad, uniform strokes and wide counters, with squared-off curves softened by generous corner radii. The slant is consistent and forward-leaning, while terminals are clean and blunt, giving letters a compact, machined feel. The lowercase shows a large, tall x-height and minimal modulation, and the figures are wide and sturdy with similarly rounded rectangular bowls.
Best suited to high-impact display settings such as sports and esports branding, automotive or tech-themed posters, punchy headlines, and bold UI titling where a fast, engineered look is desired. It will be most effective at medium-to-large sizes where the rounded-rect details and wide counters stay clear.
The overall tone is fast, confident, and distinctly futuristic, combining a motorsport-like forward lean with a tech-industrial sturdiness. Its softened corners keep it from feeling harsh, while the weight and width project power and momentum.
The design appears intended to deliver a modern, speed-forward display voice using superelliptic curves and wide proportions for a strong, streamlined silhouette. The consistent oblique stance and blunt, rounded terminals suggest an emphasis on motion and durability over neutrality or long-form comfort.
The geometry emphasizes horizontal breadth and stable, rectangular bowls (notably in C/G/O/Q and the zeros), producing a strong, uniform texture in headlines. The oblique angle and wide set can make tight spaces feel crowded, but at larger sizes it reads as intentionally bold and kinetic.