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Sans Faceted Aklo 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Expedition' by Aerotype, 'Stallman' and 'Stallman Round' by Par Défaut, and 'Quayzaar' by Test Pilot Collective (names referenced only for comparison).

Keywords: headlines, posters, game ui, logos, packaging, industrial, techno, arcade, futuristic, assertive, impact, tech feel, geometry, display, octagonal, angular, chamfered, geometric, blocky.


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A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with angled facets. The forms lean on octagonal silhouettes, squared counters, and consistent stroke weight, creating a tight, modular rhythm across the alphabet. Terminals are typically blunt with chamfered cuts, and joins stay clean and rectilinear, producing compact, sturdy lettershapes with clear, mechanical structure. Numerals follow the same faceted construction, with simplified, block-like interiors and strong corner cuts.

Best suited to short, high-impact settings such as headlines, branding marks, packaging callouts, and display typography where its faceted geometry can read clearly. It also fits interfaces and on-screen graphics with a technical or game-adjacent aesthetic, particularly in titles, buttons, and HUD-style labels.

The overall tone is bold and machine-like, with a distinctly digital, arcade-era energy. Its sharp facets and dense silhouettes feel engineered and utilitarian, giving text a forceful, high-impact presence that reads as modern, technical, and slightly retro-futurist.

The design appears intended to deliver a strong, industrial display voice by translating a sans skeleton into a faceted, chamfered geometry. By prioritizing straight strokes, clipped corners, and compact counters, it aims for a distinctive, engineered texture that remains consistent across letters and numerals.

The faceting is applied consistently to both uppercase and lowercase, helping mixed-case settings retain a unified, all-caps-like solidity. Counters and apertures tend to be squarish and compact, which boosts punch at larger sizes while giving dense textures in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸