Sans Superellipse Loref 2 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Larabiefont' by Typodermic (names referenced only for comparison).
Keywords: ui labels, dashboards, signage, packaging, posters, tech, industrial, retro, utility, clean, systematize, modernize, digitize, labeling, rounded, rectilinear, boxy, geometric, modular.
A geometric sans built from rounded-rectangle and superellipse forms, with consistently rounded corners and uniform stroke thickness. Curves tend to square off into soft, rectilinear bowls and counters, giving letters like O, D, and Q a box-rounded silhouette. Joins are mostly blunt and squared with gentle radiusing, producing a crisp, engineered rhythm across caps and lowercase. Numerals follow the same modular logic, with simplified, open shapes and minimal contrast that stay clear at display sizes.
Well suited to UI labels, control panels, dashboards, and wayfinding where a compact, highly regular texture supports scanning and alignment. The rounded-rectilinear forms also make it a strong option for tech branding, product packaging, and poster headlines that aim for a clean, engineered look with a subtle retro-digital flavor.
The overall tone feels technical and utilitarian, echoing industrial labeling and early digital/terminal aesthetics while remaining friendly due to the generous corner rounding. It reads as modern and systematic rather than expressive, with a restrained, functional personality that suggests interfaces, tools, and engineered products.
The design appears intended to provide a systematic, grid-first sans with rounded-rectangular construction, prioritizing consistency, clarity, and a distinctive techno-industrial voice. Its modular shapes and softened corners suggest an attempt to bridge strict geometric structure with approachable friendliness.
Distinctive details include squared terminals with soft rounding, compact interior counters, and a consistently structured geometry across punctuation-like features (such as the t and i). The rounded-rectangular construction gives the texture a steady, grid-compatible feel that stays coherent in both the glyph chart and the paragraph sample.