Sans Superellipse Loref 3 is a regular weight, narrow, monoline, upright, normal x-height, monospaced font visually similar to 'Larabiefont' by Typodermic (names referenced only for comparison).
Keywords: ui labels, packaging, signage, posters, code samples, technical, retro, utilitarian, industrial, geometric, systematic design, space efficiency, retro-tech styling, clear labeling, rounded corners, squared curves, condensed, high contrast gaps, rectilinear.
A compact, geometric sans with monoline strokes and rounded-rectangle construction throughout. Curves resolve into squared, superellipse-like turns, producing soft corners on otherwise rectilinear outlines. Counters are tight and mostly rectangular, with consistent stroke endings and a clean, engineered rhythm. Uppercase forms feel tall and efficient; lowercase follows the same modular logic with simplified bowls and minimal modulation, keeping spacing and proportions even across the set.
This font suits UI and product labeling where consistent rhythm and compact letterforms help fit information into constrained spaces. It also performs well in retro-tech posters, industrial branding, and signage where a geometric, engineered voice is desirable. The orderly construction makes it a natural fit for code-like specimens, dashboards, and tabular or structured text treatments.
The overall tone is technical and utilitarian, with a distinctly retro-digital flavor. Its rounded-square geometry suggests instrumentation, labeling, and interface typography, balancing friendliness from the softened corners with a precise, mechanical cadence.
The design appears intended to deliver a clean, system-driven look built from rounded rectangles, prioritizing consistency and efficient footprint. Its forms suggest a contemporary reinterpretation of display lettering associated with technical equipment and digital-era typography, optimized for clear, repeatable shapes across letters and numerals.
Distinctive details include the rounded, capsule-like terminals on many strokes and the squared-off interior shapes in letters like O, D, P, and R. Diacritics and dots appear as solid round points, and figures share the same narrow, modular construction, reinforcing an orderly, systematized feel in running text.