Sans Superellipse Live 1 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, dashboards, terminals, signage, wayfinding, techy, retro, friendly, utilitarian, futuristic, systematic, grid-based, interface-ready, retro-tech, rounded, soft-cornered, geometric, boxy, modular.
A geometric sans with rounded-rectangle construction and softly squared curves throughout. Strokes are even and consistent, with generous corner radii that keep joins smooth and mechanical rather than calligraphic. Counters tend toward squarish bowls, and many curves resolve into flattened arcs, giving letters like C, G, O, and S a superellipse feel. The overall rhythm is orderly and grid-friendly, with compact apertures and neatly controlled terminals that read as rounded caps rather than sharp cuts.
Works well for interface labels, dashboards, and device readouts where consistent spacing and a modular silhouette improve alignment. It also suits signage, wayfinding, and packaging or product labeling that benefits from a clean, technical voice with softened edges. In longer passages it maintains a steady, schematic texture that favors clarity over warmth.
The tone feels clean, engineered, and slightly retro-futurist—like labeling from industrial equipment or early digital interfaces, but softened by the rounded corners. It balances a technical, modular discipline with an approachable friendliness, avoiding harshness while still looking precise.
Likely designed to deliver a highly consistent, grid-based voice with rounded-rectangle forms that feel both technical and accessible. The emphasis appears to be on systematic construction and predictable spacing for interface and display contexts, while keeping the shapes gentle enough to remain approachable.
Distinctive details include a pointed, roof-like apex on the capital A, a squared-off geometry in bowls and counters, and numerals that echo the same rounded-rectangle logic for strong visual consistency. The overall look stays cohesive across upper, lower, and figures, emphasizing system-like regularity and predictable spacing.