Sans Superellipse Pekup 6 is a bold, normal width, medium contrast, italic, tall x-height font visually similar to 'Grillmaster' by FontMesa (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, sporty, poster-ready, energetic, confident, contemporary, impact, speed, modern branding, compact display, geometric consistency, oblique, condensed feel, compact, rounded corners, ink-trap hints.
A heavy, forward-leaning sans with compact proportions and rounded-rectangle construction across bowls and counters. Strokes are sturdy and fairly uniform, with subtly softened corners and occasional notch-like joins that sharpen the rhythm in tight interior spaces. Curves on letters like C, O, S, and 0 read as squarish rounds rather than perfect circles, while diagonals (A, K, V, W, X) are crisp and assertive. The lowercase shows a tall x-height with short ascenders/descenders, keeping lines dense and economical; apertures and counters are kept open enough for display use, with a distinctly engineered, superellipse feel throughout.
Best suited to headlines, posters, and short bursts of copy where impact matters more than long-form comfort. The dense, oblique forms work well for sports branding, event promotions, and energetic packaging systems. It can also serve as strong UI or signage titling when used at larger sizes with adequate tracking.
The overall tone is punchy and kinetic, combining an athletic slant with a modern, industrial solidity. Its rounded-square geometry adds a friendly softness, while the dense weight and oblique stance keep it feeling urgent and attention-grabbing. The result reads as confident and contemporary, with a subtle retro-sports flavor.
The design appears intended to deliver maximum presence with a compact, fast-moving silhouette, using rounded-rectangle forms to feel modern and approachable while staying tough and industrial. Its tall lowercase and consistent geometry suggest a focus on display clarity and brandable rhythm across letters and numerals.
Numerals follow the same squared-round logic and hold their shape well at large sizes, with a particularly bold, blocky 2/3/5 and a compact 0. The italics are clearly structural (not merely sheared), preserving consistent corner radii and join behavior across the set. Spacing appears tight-to-moderate in the sample, reinforcing a condensed, headline-oriented texture.