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Sans Superellipse Fyrin 11 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Opinion Pro' by Mint Type, and 'Navine' by OneSevenPointFive (names referenced only for comparison).

Keywords: sports branding, posters, headlines, packaging, logos, sporty, urgent, muscular, modern, industrial, impact, speed, modernity, clarity, branding, oblique, compact, rounded, angular, slanted.


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A heavy, right-leaning sans with compact proportions and tightly controlled counters. Curves are built from rounded-rectangle geometry, giving bowls and round characters a superelliptical feel, while joins and terminals stay crisp and clean. Strokes are broadly even with subtle shaping at curves, and many forms show squared-off rounding rather than true circularity. The overall rhythm is dense and forward-driving, with sturdy verticals, firm diagonals, and simplified, high-impact letterforms.

This font is well suited to sports and performance branding, event posters, and headline typography where a bold, kinetic voice is needed. It can also work for packaging, product identities, and short UI callouts that benefit from a compact, high-contrast presence against light backgrounds. For extended reading, it performs best at larger sizes with generous spacing.

The tone is fast, assertive, and performance-oriented. Its slanted stance and blocky rounded forms suggest motion and strength, balancing a technical, engineered feel with approachable softness at the corners. The result reads as confident and energetic rather than delicate or formal.

The design appears intended to deliver a modern, high-impact italic voice with a streamlined, engineered construction. By combining squared rounding with simplified shapes, it aims to read quickly and feel dynamic while staying consistent across letters and numbers.

Figures and capitals are designed for impact, with broad surfaces and compact apertures that favor display sizes. The slant is consistent across the set, and the rounded-rectangle construction helps maintain a cohesive texture in both uppercase and lowercase. In longer samples, the strong weight and narrow internal spaces create a dark, continuous typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸