Sans Superellipse Otkom 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, 'Panton Rust' by Fontfabric, 'Bourton Text' by Kimmy Design, 'Navine' by OneSevenPointFive, and 'Crique Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, branding, signage, packaging, ui labels, modern, utilitarian, confident, techy, clean, impact, clarity, modernity, robustness, rounded, squareish, sturdy, compact, monolinear.
A heavy, monolinear sans with rounded-rectangle geometry and softly squared curves throughout. Counters are generous and open, while terminals tend to be blunt with subtly rounded corners, producing a solid, even texture. Uppercase forms feel compact and engineered, with wide bowls in B/D/P/R and a notably squared, superelliptical O. Lowercase keeps a simple, functional construction with a single-storey a and g, and straightforward joins that favor clarity over calligraphic nuance. Numerals match the same sturdy, rounded-corner logic, maintaining consistent stroke weight and a stable, blocky stance.
Performs well in short-to-medium text at larger sizes where its compact, sturdy shapes can carry strong emphasis—headlines, posters, and brand marks. The open counters and simple constructions also suit interface labels, wayfinding, and packaging where quick recognition and durability of form matter.
The overall tone is contemporary and pragmatic, with a slightly industrial, UI-forward character. Its rounded-square forms soften the heaviness, balancing friendliness with a no-nonsense, engineered feel that reads as confident and dependable.
Likely designed to deliver a bold, highly legible sans with a contemporary rounded-square voice, prioritizing uniform stroke weight, clear counters, and a stable, engineered rhythm for display-forward communication.
Rhythm is steady and dense, with minimal contrast and clean negative spaces that help the bold weight stay legible. The superelliptical curves create a distinctive “squared-off” roundness that keeps text feeling structured, especially in caps and figures.