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Sans Superellipse Kasu 5 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to '403 Rodman' by 403TF, 'Evolutics' by Ghozai Studio, 'Etrusco Now' by Italiantype, 'Hot Rush' by Set Sail Studios, 'Hornsea FC' by Studio Fat Cat, and 'Fixture' by Sudtipos (names referenced only for comparison).

Keywords: sports branding, posters, headlines, apparel, packaging, sporty, urgent, powerful, industrial, aggressive, impact, speed, compression, modernity, strength, condensed, slanted, blocky, rounded, oblique.


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A condensed, heavily slanted sans with compact proportions and broad, uniform strokes. Counters are tight and often appear as narrow vertical apertures, while curves resolve into rounded-rectangle forms that keep the silhouette sturdy and controlled. Terminals are mostly blunt with softly radiused corners, and the rhythm is strongly forward-leaning, producing a continuous, aerodynamic texture in words. Numerals and lowercase maintain the same compressed stance, with simple, robust shapes built for impact rather than delicacy.

Best suited for short, prominent text such as sports branding, event posters, product marks, and punchy headlines. It can also work on apparel and packaging where a compact, high-impact word shape is needed, especially in all-caps settings.

The overall tone is fast and forceful, with a distinctly sporty, high-intensity feel. Its forward slant and compressed massing suggest motion and pressure, lending an assertive, competitive voice suited to energetic messaging.

The design appears intended to deliver maximum impact in minimal horizontal space while projecting speed and strength. Its rounded-rect geometry and blunt terminals aim for a modern, engineered look that stays cohesive under heavy weight and strong slant.

Because interior space is limited and stroke density is high, the typeface reads best when given enough size or tracking to prevent dark clumping in longer passages. The italic angle and condensed width create a strong directional emphasis that can dominate a layout if overused.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸