Sans Superellipse Ukmol 2 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Kaneda Gothic' by Dharma Type, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Bugleboy' by Stiggy & Sands, and 'Kenyan Coffee' by Typodermic (names referenced only for comparison).
Keywords: posters, sports branding, headlines, packaging, signage, athletic, urgent, industrial, modern, compact, space saving, speed emphasis, high impact, modern utility, condensed, oblique, blocky, rounded corners.
A heavy, tightly condensed oblique sans with compact counters and a strongly forward-leaning stance. Strokes are broadly uniform with minimal modulation, and terminals are squared-off but softened by rounded corners, giving many letters a superelliptical, molded silhouette. Curves (C, O, S, 0, 8) read as rounded rectangles rather than perfect circles, while straight-sided letters (E, F, H, N) feel rigid and engineered. Spacing is dense and the rhythm is punchy, with tall lowercase and short extenders keeping word shapes stacked and efficient.
Best suited for short, high-impact settings such as sports identities, event posters, product packaging, and attention-grabbing headers. It also works well for signage or wayfinding where a condensed footprint is helpful, especially when used at larger sizes with ample line spacing.
The overall tone is fast and forceful, suggesting motion, pressure, and performance. Its compressed, slanted forms feel assertive and utilitarian, with a sporty, headline-driven energy that reads as contemporary and no-nonsense.
The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a smooth, rounded-rect geometry. The oblique angle and compact proportions prioritize speed and emphasis, making it a purpose-built display face for energetic, modern messaging.
The numerals share the same compact, squared curvature and carry well at display sizes. Diagonal joins and tight apertures in letters like a, e, s, and g contribute to a solid, ink-heavy texture; in longer lines this produces a strong graphic band rather than a light reading color.