Sans Other Junim 11 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Expanse Nuvo' by Designova (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, titles, art deco, poster, theatrical, retro, dramatic, distinctive texture, vintage display, compact impact, brand voice, decorative structure, stencil-like, split strokes, high contrast look, geometric, compact.
A compact, tightly proportioned display sans with tall vertical emphasis and a distinctive split-stroke construction. Many letters are formed by strong parallel vertical stems separated by narrow white channels, creating a stencil-like, cutout effect while maintaining largely consistent stroke thickness. Curves are simplified into geometric arcs and ovals, with rounded bowls that terminate in crisp, straight joins. The rhythm is dominated by verticals and narrow counters, producing a dense texture and striking silhouette in both uppercase and lowercase.
Best used for headlines, posters, event titles, and branding where a compact footprint and strong vertical punch are desirable. It can work well in logotypes and packaging systems that benefit from a distinctive, repeatable texture. For body copy or small UI sizes, the narrow counters and internal splits may reduce clarity, so larger display settings are recommended.
The overall tone feels Art Deco–adjacent and stage-ready, with a sleek, stylized severity that reads as vintage glamour and modern spectacle at once. Its sharp internal gaps and compressed forms give it a dramatic, high-impact presence suited to attention-grabbing headlines rather than quiet reading.
The design appears intended to create a memorable, period-tinged display voice using a split-stroke, near-stencil construction that turns negative space into a defining motif. It prioritizes silhouette, rhythm, and decorative structure over conventional text readability, aiming for bold typographic presence and a cohesive, stylized identity.
Uppercase forms appear more architectonic and columnar, while lowercase introduces a few more idiosyncratic shapes (notably in letters like a, g, and y) that reinforce the display nature. Numerals follow the same split-stroke logic, keeping a consistent, branded texture across alphanumerics. Spacing and internal cutouts become a key part of legibility, so the design rewards generous sizes and clear contrast.