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Stencil Gylo 1 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Newhouse DT' by DTP Types, 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Cairoli Now' by Italiantype, 'Frontage Condensed' by Juri Zaech, and 'Delonie' and 'Headpen' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, military, utilitarian, mechanical, authoritarian, space-saving impact, stencil marking, rugged display, industrial signage, condensed, all-caps, blocky, vertical, modular.


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A condensed, heavy display face built from tall, block-like forms with consistent stroke thickness and a strict vertical stance. Many letters are constructed with deliberate internal breaks that create clean bridges and pronounced counters, giving the shapes a cut-out, modular feel. Curves are tightly controlled and often flattened into near-rectilinear geometry, while terminals tend to be blunt and squared. The overall rhythm is tight and compact, with strong vertical emphasis and clear, high-impact silhouettes that hold together at large sizes.

Best suited to display typography such as posters, bold headlines, event graphics, and branding where a strong industrial or institutional voice is desired. It also fits wayfinding-style layouts, packaging, and product labels that benefit from a marked, cut-out stencil aesthetic. It is most effective at medium to large sizes where the bridges and compact shapes remain clearly legible.

The stencil breaks and compressed proportions evoke industrial labeling, military marking, and no-nonsense utilitarian signage. Its tone is assertive and functional, leaning toward rugged, mechanical energy rather than warmth or elegance. The look reads as engineered and purposeful, with a slightly retro institutional flavor.

The design appears intended to deliver maximum impact in minimal horizontal space while clearly signaling a stencil-derived, cut-marking aesthetic. Its consistent, blocky construction prioritizes a strong silhouette and repeatable structure, suggesting use in applications that reference manufacturing, shipping, or official marking systems.

The internal bridges create distinctive patterns in rounded letters and figures, making the design especially recognizable in headlines and short phrases. Because the letterforms are very compact, spacing and line length will strongly affect readability; it visually prefers concise setting and ample tracking when needed.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸