Sans Other Lerim 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'BR Cobane' and 'BR Hendrix' by Brink, 'Pulp Display' by Spilled Ink, 'Infoma' by Stawix, 'TT Norms Pro' by TypeType, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, labels, playful, rustic, handmade, retro, friendly, add texture, humanize tone, vintage flavor, display impact, soft corners, blunt terminals, ink traps, irregular edge, lively rhythm.
A heavy, compact sans with softly rounded geometry and blunt terminals. Strokes are largely monolinear, but the outlines show subtle wobble and roughened edges that create a printed/inked feel rather than a perfectly geometric finish. Counters are generous for the weight, with round bowls and wide apertures; curves are smooth but not perfectly uniform, adding a handmade rhythm. The lowercase is sturdy and readable, with a single-storey “a” and “g”, a short-armed “r”, and round punctuation/dots that reinforce the soft, informal construction.
Best suited to short, high-impact text such as posters, signage, packaging, labels, and brand marks where a friendly, tactile texture is desired. It can work for brief UI or editorial callouts, but the roughened edge and heavy color will be most effective when given room to breathe at larger sizes.
The overall tone is warm and approachable, with a slightly rugged, craft-like personality. Its uneven, inky edge and chunky forms evoke vintage packaging and hands-on making, reading as casual and energetic rather than corporate or technical.
The design appears intended to deliver bold readability with a deliberately imperfect, printed character—combining simple sans structure with a handcrafted texture to add warmth and personality in display applications.
Large, dark shapes dominate, making the face visually assertive at display sizes; the texture from the irregular contours becomes a key feature in headlines. The numerals follow the same chunky, rounded logic and stay highly legible, while round forms (O, Q, 0) feel especially prominent and friendly.