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Free for Commercial Use

Sans Superellipse Geguv 10 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Posting Sans' by K-Type, 'Belle Sans' by Park Street Studio, 'Robusta' by Tilde, 'Quan Geometric' and 'Quan Pro' by Typesketchbook, 'URW Dock Condensed' by URW Type Foundry, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, sportswear, branding, packaging, sporty, assertive, energetic, modern, industrial, impact, speed, performance, modernity, clarity, oblique, compact, sturdy, rounded, blocky.


Free for commercial use
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A heavy, forward-leaning sans with compact proportions and broad, rounded-rectangle curves. Strokes are uniformly thick with minimal contrast, and many terminals are cut on sharp diagonals, producing a crisp, engineered finish. Counters are relatively tight, apertures are small, and the overall silhouette reads as dense and powerful, with curved letters (like C, O, S) built from superellipse-like bowls rather than perfect circles. Numerals match the same robust, slanted construction, with squared-off curves and strong horizontal/diagonal cuts.

Best suited to large-scale display settings where impact and momentum matter—headlines, posters, sports and esports branding, apparel graphics, and bold packaging. It can also work for short UI labels or section headers when a strong, condensed, forward-driving emphasis is desired.

The font conveys speed and force, balancing rounded, friendly geometry with hard-angled cuts that feel competitive and technical. Its oblique stance and dense color give it a high-impact, action-oriented tone suited to bold statements rather than quiet reading.

The design appears intended to deliver maximum punch with a streamlined, geometric construction: rounded-rectangle bowls for modern clarity, combined with aggressive diagonal cuts and an oblique slant to suggest motion and performance.

Diagonal shears appear consistently across terminals and joins, creating a rhythmic, faceted texture in words. The italic angle is noticeable but controlled, helping keep letterforms stable and block-like at larger sizes while emphasizing motion.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸