Sans Superellipse Pemut 1 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Tusker Grotesk' by Lewis McGuffie Type and 'Avilock' by Namara Creative Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, assertive, industrial, sporty, compact, modern, space saving, high impact, brand presence, display clarity, modern utility, condensed, blocky, rounded corners, monoline, squared rounds.
A condensed, heavy sans with monoline strokes and rounded-rectangle construction that keeps curves tight and corners softly radiused. Counters are compact and often squared-off, producing dense, punchy silhouettes and an even, mechanical rhythm. Terminals are blunt and vertical stress is minimal, with caps and figures built from the same sturdy, rectilinear geometry for consistent color in setting.
Best suited to short, high-impact text such as headlines, posters, signage, and packaging where a dense, commanding texture is desirable. It also fits athletic and industrial branding systems, badges, and labels that benefit from compact width and strong presence.
The overall tone is forceful and no-nonsense, leaning toward industrial and sporty branding where impact matters more than delicacy. Its compact width and dark texture give it an urgent, poster-like presence that reads as confident and modern.
The design appears intended to deliver maximum visual impact in limited horizontal space, using rounded-rectangular forms to stay contemporary while preserving a tough, utilitarian feel. The consistent stroke weight and compact counters suggest a focus on bold display readability and repeatable branding rhythm.
Round letters like O and Q read as squarish superellipses, while diagonals (V, W, X, Y) stay thick and stable rather than sharp. The lowercase maintains a large x-height relative to ascenders, keeping word shapes chunky and highly legible at display sizes, though the tight interior space suggests less comfort for long passages.