Sans Superellipse Ogray 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Folio EF' by Elsner+Flake, 'Explorer' by Fenotype, 'Folio' by Linotype, 'Posterman' by Mans Greback, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Palo' by TypeUnion, and 'Folio' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, compact, assertive, utilitarian, sporty, space saving, impact, sturdy modernism, display clarity, condensed, blocky, rounded corners, monoline, high impact.
This typeface is a condensed, heavy monoline sans with rounded-rectangle construction throughout. Strokes are uniformly thick, with squared terminals softened by consistent corner radii, giving counters and bowls a superelliptical feel. The capitals are tall and tightly proportioned, with short crossbars and compact apertures; curves on letters like C, G, and S stay boxy rather than circular. Lowercase forms are sturdy and simplified, with short ascenders/descenders and rounded, rectangular counters that keep texture dense. Numerals follow the same chunky, squared-off rhythm, reading strongly in a tight set.
Best suited to short, high-impact settings such as headlines, posters, labels, and bold brand marks where condensed width is helpful. It can also work for signage or wayfinding at larger sizes, where its simplified shapes and heavy strokes remain clear and emphatic.
The overall tone is forceful and workmanlike, with a straightforward, no-nonsense personality. Its condensed heft and rounded-block geometry suggest an industrial or athletic voice—confident, economical, and built for impact rather than delicacy.
The design appears intended to deliver maximum visual presence in limited horizontal space, using rounded-rectangular construction to keep forms cohesive and contemporary. It prioritizes strong silhouette recognition and a dense, energetic texture for display-oriented typography.
Spacing and internal counters are relatively tight for the weight, producing a dark, continuous typographic color. The rounded corners help prevent the forms from feeling harsh, but the compact apertures and blocky curves still prioritize solidity and punch.