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Free for Commercial Use

Sans Superellipse Edlup 12 is a regular weight, narrow, monoline, italic, normal x-height font.

Keywords: ui labels, wayfinding, packaging, editorial, data display, clean, technical, modern, efficient, utilitarian, space efficiency, clarity, modern utility, softened geometry, systematic rhythm, rounded corners, condensed, upright terminals, soft geometry, even color.


Free for commercial use
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This typeface uses a slim, evenly weighted stroke and a slightly right-leaning stance, producing a crisp, energetic texture. Many curves resolve into rounded-rectangle/superellipse shapes, with softened corners rather than true circles, giving bowls and counters a squarish roundness. Proportions are compact and tall, with relatively tight letterfit and open interior spaces that keep characters clear at smaller sizes. Terminals are mostly straight and clean, with restrained curvature and minimal modulation, creating consistent rhythm across upper- and lowercase and lining figures.

It suits interface typography, navigation labels, dashboards, and other space-constrained settings where a compact footprint and consistent stroke help maintain clarity. The italic slant also works well for headings, pull quotes, and packaging or branding elements that need a streamlined, modern voice. Its tidy numerals and steady rhythm make it a practical choice for tables, short data strings, and technical or instructional content.

The overall tone feels contemporary and functional, with a subtly engineered look that reads as precise without becoming harsh. Rounded corners add a friendly softness, balancing the narrow, efficiency-driven proportions. The italic slant suggests motion and emphasis, making the face feel active and forward-leaning.

The design appears intended to deliver a modern, space-efficient sans with softened geometry, combining a clean utilitarian structure with rounded-rectangle forms for approachability. The consistent stroke and disciplined curves prioritize uniform texture and legibility in contemporary layouts.

Uppercase forms stay geometric and disciplined, while lowercase introduces gentle humanized touches in joins and shoulders without breaking the systematic construction. Numerals follow the same rounded-rect geometry, keeping a uniform color in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸