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Serif Contrasted Ofru 3 is a bold, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, editorial, book covers, posters, branding, dramatic, classic, theatrical, elegant, display emphasis, classic revival, expressive elegance, literary tone, vertical stress, hairline serifs, flared joins, crisp terminals, calligraphic.


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A high-contrast serif with pronounced vertical stress and crisp hairline serifs set against weighty main stems. Curves are generously rounded, while many joins and terminals show subtle flaring that gives the letters a slightly calligraphic, hand-inked feeling rather than a purely mechanical Didone. Proportions are lively and somewhat irregular across the set, with narrow, tall forms sitting next to wider rounds, creating a varied rhythm in words. Numerals follow the same logic, with thin connecting strokes and heavier verticals, producing a strong black–white interplay at text and display sizes.

This font is well suited to headlines, pull quotes, and other editorial display work where contrast and personality can take center stage. It can also work effectively for book covers, event posters, and branding systems aiming for a classic-yet-expressive serif voice. For longer passages, it is likely most comfortable at moderate-to-large sizes where hairlines and fine serifs remain clear.

The overall tone is dramatic and refined, with an expressive, slightly storybook character. Its sharp contrast and delicate hairlines convey elegance and formality, while the organic flares add warmth and a hint of vintage personality. The result feels suited to literary, editorial, and theatrical contexts where a distinctive voice is desirable.

The design appears intended to combine high-contrast, vertically stressed serif tradition with more human, ink-like shaping. It prioritizes visual drama and distinctive texture over strict neutrality, aiming to deliver an elegant display serif that still feels lively and handcrafted in detail.

In running text, the contrast creates a sparkling texture and clear lettershape differentiation, but the finest strokes may appear delicate at small sizes or on low-resolution outputs. The design’s varied widths and slightly quirky details make it more characterful than strictly neutral, helping headlines and short passages stand out.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸