Sans Superellipse Kymel 5 is a very bold, very wide, low contrast, italic, normal x-height font visually similar to 'Clonoid' by Dharma Type and 'Uniwars' by Typodermic (names referenced only for comparison).
Keywords: sports branding, racing graphics, gaming titles, tech headlines, product branding, futuristic, sporty, techy, aggressive, sleek, speed emphasis, modern branding, display impact, tech aesthetic, rounded, extended, oblique, streamlined, geometric.
A heavy, rounded sans with an extended stance and a consistent rightward slant. Letterforms are built from superelliptical rectangles: corners are broadly radiused, bowls are squarish, and apertures are controlled and compact. Strokes stay uniform with minimal modulation, producing a dense, high-impact texture. Terminals are blunt and often horizontally sheared, and several shapes include purposeful ink-trap-like notches or interior cut-ins that sharpen joins. Counters are tight (notably in O/Q/8) and the overall rhythm is fast and forward-leaning, with sturdy, low-detail construction that holds together at large sizes.
Best suited to display work where impact and momentum are desired: esports and gaming titles, motorsport or athletic branding, tech-forward marketing, packaging, and poster headlines. It can also work for short UI labels or dashboard-style readouts when set with generous spacing, but its tight counters and dense weight favor larger sizes over long-form text.
The font reads as contemporary and performance-driven, combining a sci‑fi geometry with a motorsport sensibility. Its oblique posture and squared-round forms give it a sense of speed and engineered precision, while the heavy color adds assertiveness and confidence.
The design appears aimed at delivering a fast, modern display voice by blending rounded-rectangle geometry with an oblique, high-energy stance. The compact apertures and sharpened interior cuts suggest a focus on crispness and legibility under bold, attention-grabbing conditions.
Uppercase forms feel compact and blocky with small, rectangular counters, while lowercase maintains the same superelliptical logic and slant for a unified tone. The numerals echo the same design language—squared bowls and clipped terminals—making them visually compatible in headings and interface-style labels.