Sans Superellipse Kymev 2 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Muller Next' by Fontfabric, 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry, 'Otoiwo Grotesk' by Pepper Type, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, logos, sports branding, gaming ui, posters, futuristic, tech, sporty, aggressive, industrial, speed, impact, modernity, precision, branding, rounded, extended, oblique, geometric, compact.
A heavy, extended oblique sans built from rounded-rectangle geometry. Strokes are monolinear and highly uniform, with blunt terminals and consistently softened corners that create a superellipse feel across both straight and curved forms. Counters tend toward squared ovals, apertures are tight, and joins are clean and engineered, producing a sturdy, streamlined rhythm. The figures follow the same rounded, horizontal emphasis, with stacked bars and enclosed shapes that read as compact blocks at display sizes.
Best suited to high-impact display work such as headlines, brand marks, product titles, esports/sports identities, and technology or automotive-style graphics. It can also work for short UI labels and interface headings where a bold, forward-leaning voice is desired, but extended reading text may feel dense due to the tight apertures and heavy color.
The overall tone feels fast, mechanical, and contemporary, with an aerodynamic slant and wide stance that suggests motion and power. Its rounded corners keep the mood friendly enough for consumer tech, but the dense, black presence remains assertive and performance-oriented.
The design appears intended to deliver a bold, high-speed sans with a distinctly geometric, rounded-rect construction. By combining an extended width with a consistent oblique stance and compact counters, it aims to communicate performance, modernity, and engineered precision in branding and display settings.
The oblique angle is consistent throughout, and many forms lean toward rectangular bowls and counters rather than circular ones, reinforcing a “machined” look. The strong horizontal emphasis and tight interior spaces make it most convincing at larger sizes where the internal shaping can breathe.