Sans Other Givy 1 is a very bold, wide, low contrast, upright, tall x-height font.
Keywords: headlines, posters, branding, packaging, signage, art deco, industrial, poster, geometric, futuristic, display impact, deco revival, stencil styling, graphic identity, signage tone, stencil cuts, segmented, monoline, high impact, display.
This typeface is built from heavy, geometric letterforms with an emphatic, cut-and-assembled construction. Strokes are largely monoline and formed from rectangles, half-circles, and sharp triangular joins, with frequent internal slits and notches that read like stencil breaks. Counters tend to be simplified or partially closed, creating strong black shapes and a compact rhythm. Curves are clean and circular where present, while diagonals and wedge-like terminals add angular tension; the result is a systematic, modular feel across caps, lowercase, and numerals.
Best suited to headlines and short display settings where its cut forms and strong geometry can be appreciated. It can work well for branding, packaging, and event or venue signage that benefits from a stylized, Deco-industrial voice. In longer passages, the dense shapes and internal breaks are likely to be more effective when set large with generous spacing.
The overall tone feels Deco-inflected and industrial, evoking signage, machinery, and modernist display typography. The segmented cuts introduce a dynamic, engineered character that reads as bold, assertive, and slightly futuristic. It carries a poster-forward confidence with a crafted, ornamental edge despite its sans foundation.
The design appears intended to reinterpret a geometric sans through a decorative, stencil-like system of cuts, producing a distinctive display face with strong silhouettes and a cohesive modular logic. It prioritizes impact and visual identity over neutrality, aiming for memorable word-shapes and graphic texture.
Many glyphs use consistent internal slicing motifs (vertical and diagonal breaks) that create distinctive silhouettes and strong texture in lines of text. The font’s density and reduced apertures suggest it will favor larger sizes, where the stencil-like detailing remains clear and intentional.