Sans Other Givy 3 is a very bold, wide, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, packaging, album art, industrial, retro, techno, brutalist, stencil, display impact, graphic texture, industrial cueing, retro futurism, stencil effect, geometric, modular, segmented, angular, high-impact.
A heavy geometric sans built from large, simplified forms with frequent stencil-like breaks and internal cut-ins. Curves read as broad arcs and half-circles, while many verticals and horizontals resolve into blunt rectangular blocks, giving the alphabet a modular, constructed feel. The cuts are consistently sharp and often diagonal, creating thin interior slashes and notches that interrupt bowls and strokes without adding true stroke modulation. Spacing and letterfit appear compact and display-oriented, with strong figure/ground shapes and assertive, poster-scale silhouettes.
Best suited to headlines, posters, and branding where its segmented geometry can act as a primary visual motif. It also works well for packaging, event graphics, album artwork, and tech/industrial-themed identities that benefit from a fabricated, stencil-inspired voice. For longer passages, it will be most effective in short bursts—labels, pull quotes, or display lines—where the texture remains intentional rather than busy.
The overall tone is bold and mechanical, mixing retro sign-painting cues with a sci‑fi/industrial edge. The intentional fractures and segmented joins suggest stenciling, fabrication, and machinery, producing an energetic, slightly aggressive texture in words. It feels more like a graphic system than a neutral text face, emphasizing impact and attitude over quiet readability.
The design appears intended as a high-impact display sans that fuses geometric construction with deliberate stencil breaks to create a distinctive, repeatable texture. Its goal seems to be instant recognizability in large settings, providing a strong graphic personality while maintaining consistent, system-like letterbuilding across the alphabet and numerals.
The segmentation creates pronounced horizontal rhythm in running text, where repeated vertical slabs and broken counters form a distinctive pattern. Numerals and capitals share the same constructed logic, helping the set feel cohesive for branding and titling. Because the breaks are integral to the forms, small sizes may lose clarity as interior cuts visually fill in.