Hollow Other Siny 8 is a bold, narrow, very high contrast, upright, normal x-height font.
Keywords: halloween, posters, headlines, packaging, logos, spooky, playful, handmade, cartoonish, macabre, thematic display, haunted feel, hand-carved texture, attention grabbing, organic, irregular, cutout, inked, chiseled.
A condensed, upright display face with heavy outer shapes and irregular hollow cutouts that read like carved highlights or knocked-out channels inside the strokes. Letterforms are built from chunky, uneven contours with noticeably wavering edges and an intentionally inconsistent interior rhythm, creating a rough, handmade texture. Counters are often small or partially obstructed by the internal voids, and terminals tend to be blunt with occasional hooked or notched endings. Overall spacing is tight and the silhouettes stay dark and compact, while the interior cutouts add a distinctive broken, high-contrast sparkle across words.
Best suited to short, high-impact settings such as Halloween promotions, event posters, game or comic titling, and themed packaging where the carved cutout texture can be appreciated. It works well for wordmarks and large labels that benefit from a bold silhouette and decorative internal detail, and is less appropriate for small body text or dense UI copy.
The font conveys a spooky, mischievous tone—more playful than terrifying—like hand-carved signage for a haunted attraction. The irregular hollowing gives it a drippy, bone-like or woodcut flavor that feels animated and theatrical. Its quirky texture suggests fun horror, Halloween novelty, and offbeat humor rather than seriousness or refinement.
The design appears intended as a characterful novelty display font: a compact, dark letterform system animated by irregular hollow cutouts to evoke hand-carved, spooky signage. The goal seems to be instant thematic recognition and texture-driven personality rather than typographic neutrality or extended reading comfort.
In the sample text, the interior cutouts create strong patterning that becomes the primary texture at larger sizes; at smaller sizes those cavities can visually merge, making the face feel even heavier. Round letters (O, Q, G) and diagonals (K, W, X) keep the same carved-in treatment, which helps maintain consistency despite the intentionally uneven drawing.