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Free for Commercial Use

Wacky Ahno 12 is a very bold, normal width, medium contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, album covers, event flyers, angular, industrial, retro, quirky, assertive, high impact, graphic texture, novel display, logo friendliness, faceted, blocky, stenciled, sharp, geometric.


Free for commercial use
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A heavy, faceted display face built from sharp-edged polygonal forms. Strokes are rendered as solid black masses with frequent triangular notches and internal cut-ins that create a pseudo-stencil feel and lively negative-space accents. Counters tend to be small and angular, with many letters showing chiseled corners and wedge-like terminals rather than smooth curves. The overall rhythm is irregular and sculptural, with strong silhouette emphasis and occasional asymmetric detailing that makes each glyph feel carved from a single slab.

Best suited for short, high-impact text such as poster headlines, event flyers, album art, and branding marks where its angular silhouettes can read clearly. It works well when you want a strong graphic texture in titles, packaging callouts, or themed displays that benefit from a rugged, retro-industrial edge.

The font conveys a bold, edgy energy with a playful, slightly chaotic twist. Its chiseled geometry and cut-out details suggest a rugged, mechanical attitude, while the eccentric internal shapes and uneven rhythm add a wacky, experimental personality. The tone lands somewhere between arcade/retro display and DIY cut-paper lettering—confident, loud, and intentionally unconventional.

The design appears intended as a one-of-a-kind display face that prioritizes striking silhouettes and a consistent chiseled texture over neutral readability. Its repeated use of wedges, cut-ins, and faceted geometry suggests an aim to create a memorable, emblematic voice for attention-grabbing typography.

Readability depends heavily on size: at larger settings the distinctive notches and counters become a defining texture, while at smaller sizes the dense black shapes and narrow apertures can merge. Uppercase forms appear especially emblematic and logo-like, with strong triangular motifs echoed across letters and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸