Sans Other Fufu 4 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, album covers, art deco, futuristic, industrial, architectural, playful, display impact, geometric styling, stencil effect, retro-future, geometric, stencil-like, angular, modular, high impact.
A heavy, geometric display sans with a modular, cut-paper construction. Letterforms are built from bold, simplified masses punctuated by consistent internal slits and notches that read like stencil breaks or inlaid seams. Curves are rendered as near-circular segments with abrupt cut-ins, while straight strokes stay rectangular and blocky, producing a strong, poster-ready silhouette. The overall rhythm alternates between solid black shapes and sharp negative-space incisions, giving the design a faceted, engineered texture across uppercase, lowercase, and figures.
Best suited for large-scale display work where its stencil-like cuts and geometric silhouettes can read cleanly—posters, headlines, packaging, album covers, and bold brand marks. It can also work for short, punchy editorial callouts, but is less appropriate for dense body text due to the interrupted counters and decorative internal seams.
The tone is bold and stylized, blending Art Deco theatricality with a futuristic, industrial edge. Its sharp cutlines and geometric logic feel mechanical and architectural, while the exaggerated shapes add a graphic, playful punch. The effect is assertive and attention-grabbing rather than neutral.
The design appears intended to deliver maximum graphic impact through simplified geometry and deliberate internal breaks, creating a distinctive, segmented look that feels both retro-stylish and engineered. It prioritizes silhouette, pattern, and attitude, aiming to make even simple words feel like constructed objects.
Counters and apertures are often reduced or interrupted, and several forms rely on distinctive internal cuts for recognition, which increases visual character but can reduce clarity at small sizes. The figures and round letters emphasize the same segmented-circle motif, helping headlines and short phrases feel cohesive and patterned.