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Free for Commercial Use

Sans Normal Pumot 14 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Humble Manford Font Duo' by Jinan Studio, 'Madani' and 'Madani Arabic' by NamelaType, 'Devinyl' by Nootype, 'Causten Round' by Trustha, and 'Grold Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: branding, packaging, posters, headlines, kids media, playful, friendly, chunky, bubbly, casual, approachability, high impact, playfulness, simplicity, rounded, soft, compact, blunt, sturdy.


Free for commercial use
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This typeface has heavy, rounded letterforms with smooth, uniform stroke weight and generously curved corners throughout. Shapes lean on simple geometric construction—round bowls, broad arches, and blunt terminals—creating a compact, cohesive texture in words. Counters are relatively small for the weight, and joins are softened, giving letters like B, R, and a a pillowy, inflated feel. The lowercase uses single-storey a and g, a short-armed r, and a simple, straight t with a rounded crossbar, reinforcing an informal, simplified construction. Figures are bold and friendly, with a circular 0 and a closed, stacked 8, designed for strong presence at display sizes.

This font performs best in branding, packaging, and headline settings where a warm, playful voice and strong weight are desirable. It’s well suited to posters, signage, product labels, and social graphics that need immediate visibility and an approachable personality.

The overall tone is upbeat and approachable, with a toy-like softness that reads as contemporary and inviting rather than technical or austere. Its rounded massing and compact rhythm suggest friendliness and humor, making it feel well-suited to informal, upbeat messaging.

The design appears intended to deliver a bold, friendly sans with rounded geometry for high-impact display use. Its simplified constructions and softened terminals prioritize charm and clarity of silhouette over fine detail, aiming for an accessible, modern tone.

At text sizes the dark color and tight internal counters can create a dense, high-impact line, while at larger sizes the smooth curves and rounded detailing become a defining stylistic feature. The silhouettes remain clear and consistent, with minimal contrast and no sharp calligraphic cues.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸