Sans Superellipse Usfa 1 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Gltp Starion' by Glowtype, 'Francker' and 'Francker Paneuropean' by Linotype, 'Taz' by LucasFonts, 'Belle Sans' by Park Street Studio, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, sporty, modern, playful, impact, approachability, modernity, clarity, rounded, soft-cornered, blocky, compact, high-impact.
A very heavy sans with broad proportions and rounded-rectangle geometry throughout. Curves are built from superellipse-like corners rather than perfect circles, giving counters and terminals a soft, squared-off feel. Strokes are largely uniform with subtle modulation, and joins are clean and sturdy, producing a dense, even color on the page. Uppercase forms are wide and stable; lowercase maintains a straightforward, utilitarian construction with rounded bowls and short, strong terminals, keeping shapes highly legible at display sizes.
This font performs best in headlines and short messages where weight and width can do the work—posters, storefront and wayfinding-style signage, packaging, and bold brand wordmarks. It also suits UI or product labeling where a rounded, high-impact voice is needed at larger sizes.
The overall tone is bold and approachable, blending athletic signage energy with a friendly, contemporary softness. Its rounded corners reduce aggression while the mass and width keep it assertive and attention-grabbing. The result feels modern and upbeat, suited to brands that want impact without sharpness.
The design appears intended to deliver maximum impact with a softened, contemporary silhouette: wide, powerful letterforms paired with rounded-rectangle curves for an approachable, modern presence. It prioritizes strong rhythm, quick recognition, and a consistent geometric theme across letters and numerals.
Round letters like O and Q read as squarish ovals with softened corners, reinforcing the superelliptical theme. The figures are similarly robust and open, with large interior spaces that help maintain clarity in heavy settings.