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Free for Commercial Use

Sans Superellipse Usfa 7 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Gltp Starion' by Glowtype, 'Francker' and 'Francker Paneuropean' by Linotype, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, retro, playful, chunky, impact, approachability, modern retro, clarity, rounded, soft corners, blocky, compact counters, high impact.


Free for commercial use
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A heavy, rounded sans with a superelliptical construction: strokes end in softly squared corners, and round letters (O, C, G, o, c) read as rounded rectangles rather than true circles. The weight is dense and uniform, with compact interior counters that stay open but feel tight at smaller apertures. Curves transition into straights with minimal flare, producing a clean, engineered rhythm. Lowercase forms are sturdy and simplified, with single-storey a and g, a short-shouldered r, and a broad, flat-topped t; overall spacing feels generous enough to keep the dark texture from clogging.

Best suited for display contexts where maximum impact and immediate readability are needed—headlines, posters, packaging, and bold brand marks. It can also work for short UI labels or wayfinding when set with enough size and breathing room to preserve the tight counters.

The tone is confident and approachable, combining a utilitarian, sign-like solidity with a soft, friendly edge from the rounded geometry. It suggests a retro-modern sensibility—playful and attention-grabbing without feeling informal or handwritten.

The design appears intended to deliver a compact, high-impact voice with friendly geometry: a simplified, rounded-rectangle skeleton that stays consistent across letters and numbers, optimized for strong silhouettes and clear word shapes in large sizes.

Numerals are robust and highly legible, with the 0 rendered as a rounded rectangle and figures maintaining consistent stroke density. Diacritics are not shown; dots on i/j appear as rounded squares that match the overall corner treatment. The sample text demonstrates strong headline presence and an even, dark color across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸